1. Gobbledigook
2. Inní mér syngur vitleysingur
3. Gódan daginn
4. Vid spilum endalaust
5. Festival
6. Med sud í eyrum
7. Ára bátur
8. Íllgresi
9. Fljótavík
10. Straumnes
11. All Alright
nspired by the unfettered feeling of the acoustic performances filmed during Heima, Sigur Rós
adopted a looser approach in creating their fifth album Med Sud I Eyrum Vid Spilum Endalaust.
The album consequently is fresher and more human than anything they ve previously
recorded.
Rough edges, cracked notes, and the sound of fingers on strings are audible resulting in tracks
(e.g. Íllgresi ) that prove to be the band's sparsest and most affecting work to date. Worry not
though, plenty of electric guitar can be heard throughout the album ensuring Sigur Rós
commitment to challenging sonic limitations.
Med Sud I Eyrum Vid Spilum Endalaust is truly a groundbreaking album for Sigur Rós. It s the
first time they ve attempted to write, record, mix, release and support (by touring) an album in
the same year. Notoriously known for their laborious writing/recording style and their Icelandic
roots, Sigur Rós decided to record an album outside of Iceland for the first time. Recording,
mixing and mastering sessions took place in such un-Reykjavik cities as New York (Sear
Sound and Sterling Sound), London (Abbey Road and Assault & Battery) and Havana. The
result is pretty much their leave home album, the anti-Heima.
The opening track, Gobbledigook , is a manifesto setter with its shifting/no time signature. On
the last track, All Alright , Sigur Rós find themselves singing a song solely in English for the
first time. The seventh track, Ára Bátur , was performed with a full orchestra and the London
Oratory Boys Choir. This was recorded in one take with no overdubs and the result was 90
people playing at once and just one perfect take. This is their first album working with Flood
(U2, Depeche Mode, PJ Harvey) and the first since their debut to not be recorded with Ken
Thomas. It was a true co-production, one that found Sigur Rós breaking out of old
molds/habits.
The cover artwork is a photo taken from a flyer for Ryan McGinley s most recent photo
exhibition in NYC, I Know Where the Summer Goes , and the image captures perfectly the
spirit of the album, one of free-spirited happiness and exploration.
The band will be touring the US throughout the fall of 2008 to support Med Sud I Eyrum Vid
Spilum Endalaust.
trybuy
1 Two Miles Before Dawn (4:29)
Goldie - Letting Go [7:47]
1. "Orphans" (featuring Cat Power) - 3:17
01 deadbeats - you never know
01. Catch A Leaf feat. Rachel Frasier 3:08
01.2 Seasons 06:17
1 Run Part ! (0:47)
1. Puppy Toy
01 Breathe [New extended mix] 
01 Nobody's Fault But Mine 
1. Jade/ Part 1/ Source 
01. Half-Truism ( 3:25)
1. Theme From Paris
1. Lay It Down 
1. FERGALICIOUS 
1. Gobbledigook
1 Main Titles 2:18
CD 1
You already know the story of the Neptunes, Grammy Award winning producers and songwriters Pharrell Williams and Chad Hugo, but the N.E.R.D. trio consists of Pharrell Williams, Chad Hugo, and longtime friend and creative wunderkind, Shae Haley. The album is a blistering mash-up of booming hip-hop beats and rollercoastering rock riffs, rumbling crunk rhythms and scintillating soul music. Whereas their first album, "In Search Of...," was an imaginative, exploration of identities, and their second album, "Fly or Die," sought out the range of genres and sounds that have influenced the group, "Seeing Sounds" grinds everything together, evoking a sound that is un-tethered by preconceptions and convention. It is also an album that amplifies the style and attitudes that have made Pharrell, Chad and Shae transcendent cultural icons.
01: Liquid Season 04:11 
With C'est La Vie Martin Solveig is back on the musical scene by bringing to light a 3rd album which is resolutely pop, modern and more electronic than his previous works. You can definitely feel this Solveig's touch which is more and more recognizable as time and tracks go by. This unique sound revolves aroundfunky grooves, club energy and strong vocals. One can also discover new flavours and maybe more maturity in his writings. Martin doesn't repeat a pattern, he moves around what would be his fundamental style, each musical achievement getting him closer and closer to his final musical goal. Today's electro, projects are booming everywhere but martin delivers a personal, catchy paper far from what has become commonplace. So be it, c'est la vie !
01. Intro (Produced By Marcus Aurelius) 01:06
01. Ella Elle L'a (3:08 )
01 - Ridin It Like Itz A Benz (Riazz Mix)
01. Catwalk Criminal - 2:54
01. Darkspace [3:46]
01 Hans Zimmer-Hero 04:42
1. Cheating On You 
Disc: 1
